Juan F. Cerdá

Publicaciones de los proyectos MEC

  • “Early Feminist Shrews: Gender Truce in World War I and the Interbellum”, in Shakespeare’s European Heritage. The Legacy of Ángel-Luis Pujante, eds. Keith Gregor, Juan F. Cerdá, Laura Campillo and Clara Calvo (Murcia: Edit.um, 2022).
  • Shakespeare’s European Heritage. The Legacy of Ángel-Luis Pujante, eds. Keith Gregor, Juan F. Cerdá, Laura Campillo and Clara Calvo (Murcia: Edit.um, 2022).
  • "Dissident Feminism at the End of the Franco Dictatorship: The New Taming of the Shrew (1975)", in The Taming of the Shrew: The State of Play, eds. Heather Easterling and Jennifer Flaherty (London: Arden, 2021), pp. 105, 124. 
    https://doi.org/10.5040/9781350138223
  • "Shakespearean Performance in Catalan: Adriá Gual and the Emergence of the Theatre Director (1903-1940)", Shakespeare 16 (2020). https://doi.org/10.1080/17450918.2019.1690567
  • "Towards a Critical Reevaluation of The Rape of Lucrece", in Facing Europe in Crisis: Shakespeare's World and Present Challenges 2, (Oporto: Universidad de Oporto, 2019).
    https://halshs.archives-ouvertes.fr/halshs-02269006/document
  • "Contemporary Shakespearean Direction in Spain: Subsidiary, Parallel and Post-theatrical Authorship", Cahiers Elisabethains 96.1 (2018), pp. 28-40.
    https://doi.org/10.1177%2F0184767818762194
  • Romeo and Juliet in European Culture (con Dirk Delabastita y Keith Gregor, eds.), Amsterdam & Filadelfia: John Benjamins, 2017.
    https://www.amazon.es/Juliet-European-Cultures-Shakespeare-Culture/dp/902720912X
  • "Introduction: European Households, Alike in Dignity?" (con Dirk Delabastita y Keith Gregor), en Romeo and Juliet in European Culture, 2017, pp.1-23.
    https://www.amazon.es/Juliet-European-Cultures-Shakespeare-Culture/dp/902720912X
  • With Christie Carson, "The European Condition: A Report on Shakespearean Digital Knowledge", Coup de Theatre 31 (2017), pp. 141-158.
  • With Keith Gregor and Isabelle Schwartz-Gastine (eds.), An Approach to Mythical Performance in Europe, Shakespeare en devenir 9 (2015).
    http://shakespeare.edel.univ-poitiers.fr/index.php?id=776
  • With Ángel-Luis Pujante (eds.), Shakespeare en España. Bibliografía anotada bilingüe / Shakespeare in Spain. An Annotated Bilingual Bibliography (Universidad de Murcia & Universidad de Granada). 532 pp.
    https://www.iberlibro.com/primera-edicion/SHAKESPEARE-ESPA%C3%91A-BIBLIOGRAFIA-ANOTADA-BILINGUE-SPAIN/22380115867/bd
  • "Patriotism, Presentism, and the Spanish Henry VIII: The Tragedy of the Migrant Queen", in Shakespeare Beyond English: A Global Experiment, eds. Susan Bennett and Christie Carson (Cambridge: Cambridge University Press, 2013), 273-281.
    https://doi.org/10.1017/CBO9781139629119
  • "European touring stars and the Shakespearean distinction of the Spanish actor-manager in Madrid and Latin America (1898-1936)", Shakespeare 9.3 (2013): 322-329.
    https://www.tandfonline.com/doi/abs/10.1080/17450918.2013.816351
  • "Shakespeare and the Continental Avant-garde through García Lorca's El público (1930)", in Shakespeare and Conflict: A European Perspective, eds. Sara Soncini and Carla Dente (London: Palgrave, 2013), 119-131.
    https://www.palgrave.com/gp/book/9780230343276
  • "The Newspaper Review: Constructing an Understanding of Shakespearean Performance in Madrid (1900-1936)", Cahiers Élisabéthains 80.2, 2012, pp. 65-72.
    https://journals.sagepub.com/toc/cae/81/1_suppl
  • "Shakespeare in García Lorca´s Early Poems", Atlantis 33.1, 2011, pp. 33-52.
    https://www.atlantisjournal.org/index.php/atlantis/issue/archive?issue=33-1
  • "Filming The Taming of the Shrew in Franco´s Dictatorship: La fierecilla domada (1956)", The Journal of Shakespeare and Appropriation 6.1, 2011.
    http://www.borrowers.uga.edu/7161/toc
  • "Recurring Elements of the Macbeth Mythos", Annals of Ovidius University Constanta: Philology 22, 2011, pp. 49-56.
  • "Betwixt our nation and the aspiring French´: Spanish Patriotism(s) through Shakespeare´s Critical Reception (1764-1834)", Linguaculture 2, 2010, pp. 51-66.
  • "Images of Copulation in Othello", in Essays on Shakespeare IV, ed. José Luis Oncins, Manuel Sánchez y Ramón López, Cáceres: Universidad de Extremadura, 2010, pp. 127-150.
  • "Malleable Shakespeare: Reformulating Schechner´s Efficacy-Entertainment Braid", Annals of Ovidius University Constanta: Philology 20, 2009, pp. 181-188.
  • "Spaces of Patronage: The Enchanted Island and Prospero's Books", Folio, 2008, pp. 5-19.

En prensa

  • Macbeth in European Modernity (1875-2025), eds. Juan F. Cerdá and Paul Prescott (London: Arden, 2025).